Thelma, Brad Pitt, Louise
Being
the only person I know that has yet to see Prometheus it’s clear that I’m the
one person capable of giving Ridley Scott’s latest blockbuster roller-coaster
of a sherbet mushroom cloud a fair and impartial review. I approached not so
far seeing Prometheus with some trepidation. Opinions have been widely divided
from Paul Internet’s cutting endorsement I will hunt down Ridley Scott for this
with acid-dipped kittens so as to literally sponge the affront he has
personally made at me from his face to the less robust words of Cornelius P.
Constantine I put aside an evening of foie gras painted pleasure where Kate and
Kylie had intended to fly me to their secret pleasure-island in order to see
this and it was better even than the Cote de Nuits shower that followed, plus I
saw it on the plane.
I realise despite avoiding spoilers that
it is intended to be a prequel to Thelma & Louise, the 1991 chick-flick for
powerful, confident women tired of stereotyping – co-starring a semi-naked Brad Pitt in a cowboy hat. Personally
whilst I like the franchise I’m one of those rare people that preferred
T&L3 to the more gung-ho Thelmas & Louises that sat between the-then
trilogy. Whilst I applaud the efforts to not simply retell the same story of
two women on the run after rightly murdering a bastard, the second film rather
drove the point home too hard for me with its pack of Colonial Marines being
whittled down by a never-ending legion of shiny, biomechanical xenomorphic
willies. Same message, but different and as I say I applaud making the second
so different whilst remaining in the same mythos, linking to a over-arcing milieu.
The third, T&L3, subverted the rape genre by using the setting of a space-gaol
for religious-criminals. All bald, and all in polo neck jumpers. At the risk of
digressing too far, the fourth in the series Thelma & Louise Serenity nicely
rounded things off by having the (by-now) cloned Thelma & Louise end the
film driving their massive space ship into the Earth.
So as an honest and impartial review I
only have this to say from all evidence presented to me; it’s as pretty as
Jonny Depp with a c-cup bosom made entirely of Glenfiddich malt that will see
you hacking to ruin the neighbour’s puppies, with a rake, wrapped in barb wire,
made of hate. Both splendid and vile, where you will in the pub afterwards be
able to argue the pint away as to whether Thelma & Louise were actually nexus-series
replicants too.
With aliens in it.
Absolutely on the button. I can see how you agonised over the still inconclusive rape/gore to scenic fluffy clouds/genetic mutant counterpoint. Brad, initially thought to be the replicant pleasure droid, burst open to reveal the creation of a new life form,Alan Turin. Now famous for his forlorn speech, ending "Able was I ere I saw Idris".
ReplyDeleteI do like it. Just that now I half daren't see it.
ReplyDeleteGo but watch with one eye closed.
ReplyDelete